Google AI
The Times Australia
Fashion and Beauty

.

NSW has a new fashion sector strategy – but a sustainable industry needs a federally legislated response

  • Written by: Harriette Richards, Senior Lecturer, School of Fashion and Textiles, RMIT University




The New South Wales government recently announced the launch of the NSW Fashion Sector Strategy, 2025–28[1]. The strategy, developed in partnership with the Australian Fashion Council, TAFE NSW, University of Technology Sydney and the Powerhouse Museum, promises to “accelerate NSW’s position as a global leader in high-quality, innovative and inclusive fashion”.

This new policy includes A$750,000 in funding[2] to support local designers. It also prioritises smart factories, skills and training, and a fashion hub to incubate emerging talent.

It is a welcome contribution to the local fashion economy. Yet it is also a reminder of the complex challenges facing the industry.

Fashion in Australia

Australia has a global reputation[3] for producing high-quality, sustainable textiles and clothing.

Despite widespread offshoring[4] of manufacturing capabilities since the 1990s, Australian wool and cotton remain in high demand. Local small and medium-sized brands lead the way in sustainable and ethical fashion production.

The sector is also a significant employer of women. The $27 billion fashion industry – encompassing designers, retailers, suppliers and manufactures, among other roles – employs nearly half a million Australians, 77% of whom are women[5].

But recent years have seen the closure[6] of many pioneering local sustainable fashion brands, including Arnsdorf, A.BCH, Nique and Nobody Denim (bought by Outland Denim). These closures are testimony to the difficult retail landscape in Australia.

Despite consumers committed to ethical fashion, the challenges of producing locally and competing with low-cost fast fashion brands often prove insurmountable.

The industry has been flooded with fast fashion since the 2010s, with the arrival of Zara (in 2011), H&M and Uniqlo (both in 2014). This accelerated with the introduction of ultra-fast fashion brands such as Shein from 2021.

Annually, 220,000 tonnes[7] of clothing ends up in Australian landfills.

A laptop open to Shein and a phone open on Temu.
Australian fashion brands must compete with ultra-fast fashion retailers like Shein and Temu. AP Photo/Richard Drew

Legislating against ultra-fast fashion

To combat the dominance of these low-cost brands, France[8] has established new taxes on the import of ultra-fast fashion and bans on influencer promotions of their products.

The legislation aims to protect the French fashion industry from cheap products saturating the market, and to reduce the number of garments going to landfill. It sends a strong message to producers and consumers about the harmful labour conditions that make ultra-fast fashion viable.

This week, the European Union[9] adopted new rules mandating producer responsibility to cover costs of collecting, sorting and recycling of textiles.

Despite being the largest per capita consumer[10] of fashion items globally, Australian approaches to tackling the issues of fast fashion have been either voluntary or toothless.

Read more: Ultra fast fashion could be taxed to oblivion in France. Could Australia follow suit?[11]

Modern slavery in fashion supply chains

The closest Australia currently comes to regulating the fashion industry is at the intersection of fashion and modern slavery.

In 2018, Australia introduced the Modern Slavery Act. The policy[12] requires companies operating in Australia with an annual revenue of more than $100 million to report on the risks of modern slavery in their supply chains.

But Australian fashion brands continue to be implicated[13] in offshore modern slavery practices, largely because there is no requirement to act on risks identified. Furthermore, most fashion brands are not required to report because their revenue falls below the threshold[14].

A recent report[15] from Oxfam Australia looked at continued labour rights abuses in Bangladesh’s garment industry. The report notes reporting on modern slavery under the act “has become a box-ticking exercise for many brands, with little impact for the people making our clothes”.

The report makes for difficult reading, and reinforces concerns[16] around the lack of penalties for non-compliance.

New initiatives to support local fashion

There are calls for further regulation of the industry. Peak industry body, the Australian Fashion Council, launched Seamless[17] in 2023, designed to make brands responsible for the entire life of their products.

Seamless aims to create a circular clothing industry – in which the fashion lifecycle follows a reduce, reuse, recycle model – by 2030.

Labels participating in the voluntary scheme will have a 4 cent levy for each clothing item sold. This levy will fund programs to incentivise durable design and crucial expansion of used (or unsold) clothing collection, sorting and recycling.

In response to the Productivity Commission’s interim report[18] on unlocking the future of a circular economy, Seamless is calling for regulation[19] of the scheme.

Local brands, such as Citizen Wolf and Madre Natura, are advancing innovative onshore manufacturing[20] technologies and radical circular[21] business models.

It is vital we support small businesses if these sorts of approaches to fashion production are to survive.

What next?

The introduction of the NSW Fashion Sector Strategy is a positive sign of much-needed investment in this industry.

However, Australia has the potential to have one of the most creative and sustainable fashion industries in the world.

To live up to this potential, we need a more consolidated approach.

The industry requires a whole-of-government strategy to strengthen legislation that will protect our industry. This must include stronger penalties to prevent modern slavery in supply chains, new taxes on ultra-fast fashion, and stronger regulation for circular-economy business models.

That would be a real game-changer for our industry.

References

  1. ^ NSW Fashion Sector Strategy, 2025–28 (www.nsw.gov.au)
  2. ^ A$750,000 in funding (www.ragtrader.com.au)
  3. ^ global reputation (www.voguebusiness.com)
  4. ^ widespread offshoring (www.theguardian.com)
  5. ^ 77% of whom are women (ausfashioncouncil.com)
  6. ^ closure (www.theage.com.au)
  7. ^ 220,000 tonnes (www.seamlessaustralia.com)
  8. ^ France (www.abc.net.au)
  9. ^ European Union (www.europarl.europa.eu)
  10. ^ consumer (australiainstitute.org.au)
  11. ^ Ultra fast fashion could be taxed to oblivion in France. Could Australia follow suit? (theconversation.com)
  12. ^ policy (www.legislation.gov.au)
  13. ^ implicated (media.oxfam.org.au)
  14. ^ below the threshold (www.crimejusticejournal.com)
  15. ^ recent report (www.oxfam.org.au)
  16. ^ reinforces concerns (www.tandfonline.com)
  17. ^ Seamless (ausfashioncouncil.com)
  18. ^ interim report (www.pc.gov.au)
  19. ^ calling for regulation (www.seamlessaustralia.com)
  20. ^ manufacturing (www.ragtrader.com.au)
  21. ^ circular (fashionjournal.com.au)

Read more https://theconversation.com/nsw-has-a-new-fashion-sector-strategy-but-a-sustainable-industry-needs-a-federally-legislated-response-264579

Fashion & Beauty

REFLECTIONS: A Legacy in the Rain at Carla Zampatti AFW 2026

Words & Photography by Cesar Ocampo There is a specific kind of magic that happens when high fashion meets the elements. Last night, as Australian Fashion Week 2026 kicked off with the Opening Night Consumer Show, the Sydney skies offered a driz...

MARIAM SEDDIQ UNVEILS “ECHOES” AT AUSTRALIAN FASHION WEEK 2026

At Australian Fashion Week 2026, MARIAM SEDDIQ will unveil “ECHOES”: a collection that exists in the  space between power and softness. The collection creates a space where sculptural tailoring meets fluid  drape, and graphic edge is softened by emot...

KMS x Daisy Edgar Jones Met Gala

For the 2026 Met Gala red carpet, Celebrity Stylist, Bryce Scarlett, created a voluminous, polished style for Daisy Edgar Jones with soft movement and a refined, touchable finish using KMS Hair.    BREAKDOWNOn clean, towel-dried hair, Bryce began b...

Goldwell x Margot Robbie at the Met Gala

For the 2026 Met Gala red carpet, Celebrity Stylist, Bryce Scarlett, created a defined, twisted updo for Margot Robbie using Goldwell, drawing inspiration from her sleek yet sculptural gown that fused minimalism with structure.   BREAKDOWNStarting ...

Natural Skincare in Australia: Why Consumers Are Shifting to Simpler, Ingredient-Led Products

Walk into most bathrooms ten years ago and you would probably see the same thing, a crowded shelf filled with natural skincare and conventional products alike, all promising something slightly different. More steps. More actives. More results. No...

In 2006, The Devil Wears Prada Became One of the First Social Influencers: Fashion Was the Product

When The Devil Wears Prada premiered in 2006, it was marketed as a sharp, entertaining adaptation of a bestselling novel. What it became, in hindsight, was something far more commercially significant: one of the earliest examples of modern influenc...

Times Magazine

Federal Budget and Motoring: Luxury Car Tax, Fuel Excise and the Cost of Driving in Australia

For millions of Australians, the Federal Budget is not an abstract economic document discussed onl...

Buying a New Car: Insider Tips

Buying a new car is one of the largest purchases many Australians make outside buying a home. Yet ...

Hybrid Vehicles: What Is a Hybrid, an EV and a Plug-In Hybrid?

Australia’s car market is changing faster than at any point since the decline of the local Holden ...

Chinese Cars: If You Are Not Willing to Risk Buying One, What Are the Current Affordable Petrol Alternatives

For years Australian motorists shopping for an affordable new car generally looked toward familiar...

Australia’s East Coast Braces for Wet Week as Weather Pattern Shifts

Large sections of Australia’s east coast are preparing for a significant period of wet weather as ...

A Report From France: The Mood of a Nation

France occupies a unique place in the global imagination. To many outsiders, it remains the land ...

The Times Features

Why every drop counts

Accurate water measurement and confidence in Sustainable Diversion Limits (SDLs) are essential to ...

Dining Out Is Expensive. Buying High Quality Meat and F…

For many Australians, dining out has quietly shifted from a weekly habit to an occasional indulgen...

REFLECTIONS: A Legacy in the Rain at Carla Zampatti AFW…

Words & Photography by Cesar Ocampo There is a specific kind of magic that happens when high fa...

Where Our Batteries Come From: Battery making is big bu…

Batteries are now so deeply embedded in modern life that most people rarely stop to think about th...

Did Trump Secure China’s Assistance to Protect Middle E…

As tensions in the Middle East continue to threaten global energy markets, a new geopolitical ques...

China and America: Trump Tried to Be Nice. Did It Work?

For years the relationship between the United States and China has resembled a slow-moving collisi...

Since the Budget: How the Real Estate Industry Reacted

Australia’s real estate industry has reacted to the federal budget with a mixture of optimism, cau...

Budget Holidays in Australia: How to Travel More and Sp…

For many Australians, the idea of a holiday now comes with a difficult question: can we still affo...

Street Side Medics Calls for Canberra Clinic Volunteers

Street Side Medics – a not-for-profit, GP-led mobile medical service dedicated to people experienc...