The Times Australia
The Times World News

.

The strange evolution of an iconic doll

  • Written by Katie Pickles, Professor of History, University of Canterbury
the strange evolution of an iconic doll

In news many probably never expected to see, no-frills, outdoorsy, animal behaviour expert and conservation activist Jane Goodall has become a Barbie doll[1] (accompanied by her famous chimpanzee, David Greybeard).

Jane Goodall speaking at a conference in 2020. Getty Images

As the latest member of toymaker Mattel’s “Barbie Inspiring Women Series” honouring historical and contemporary heroines[2], she joins aviator Amelia Earhart, NASA mathematician and physicist Katherine Johnson and artist and political activist Frida Kahlo.

The range was launched on International Women’s Day in 2018, part of Mattel’s response to mothers’ concerns about their daughters’ role models. Others in the series include civil rights activist Rosa Parks, disability advocate Helen Keller, author Maya Angelou, medical reformer Florence Nightingale and suffragist Susan B. Anthony.

Each doll comes with information about their namesake’s achievements and influence. Instead of being generic plastic bodies to be clothed and posed, the dolls were now pitched[3] as “real” women, with Mattel engaged in “shining a light on empowering role models past and present in an effort to inspire more girls”.

Collection of Barbie dolls
The plastic ideal: Barbie dolls have been criticised for promoting an idealised, white body type that reflected women’s subservient place in society. Getty Images[4]

What makes a heroine?

Barbie has certainly come a long way since she was first manufactured in 1959 and became synonymous with what feminists saw as the objectification and commodification of women.

But the fact some of the world’s most famous and groundbreaking women – who sought careers outside their physical appearance – were now being re-imagined as plastic dolls also interested me professionally.

My new book, Heroines in History: A Thousand Faces[5], examines the patterns that underpin the construction of heroines over the past 200 years. In it I argue that representations of women who have rebelled, rocked, shaken and changed the world are constrained through casting them as either “super-womanly” or “honorary men”. Taking the individual stories of women, including those now appearing as Barbies, I explore a series of archetypal themes, revealing how heroines are produced by the hetero-sexist societies that surround them. Read more: Barbie at 60: instrument of female oppression or positive influence?[6] Despite many advances for women, the persistence and reinvention of heroic iconography for women continues to value image over substance. And because of their iconic appeal, throughout history it has been common for heroines to be used for commercial purposes. In the 19th century, for example, British sea heroine Grace Darling’s image appeared on chocolate boxes and was used to advertise soap. Since her death in 1954, Frida Kahlo’s face has promoted everything from tequila to lip gloss. And Marilyn Monroe’s image has endured to sell any number of products. Antithesis of feminism? So the appropriation of heroic women of substance as plastic Barbies should not surprise us. Dolls have a long and rich history, after all. They’ve appeared as representational figures, including gods and royalty, or dressed in distinct costumes representing national identities. They’ve served as lucky charms and voodoo talismans. Read more: Barbie doll that honors Ida B. Wells faces an uphill battle against anti-Blackness[7] As they evolved from eclectic homemade rag, woollen and wooden figures to mass-produced commercial objects, they became important in children’s gender role play. Rehearsing for their adult years, boys played with toy soldiers, action figures and superheroes, while girls had baby dolls to tend to and model figures to dress and groom alluringly. In a sense, then, the Inspiring Women series can be seen as a positive development, encouraging empowerment by including a diverse range of ethnicities to appeal to girls whose communities were previously not represented as Barbies. Overall, however, Barbie has a lot of work to do to overcome her image as the antithesis of the feminist goal of freeing girls and women from lives that cast them, in the words of writer Simone de Beauvoir, as “living dolls”. Barbie doll in black and white stripped swimsuit. The first Barbie was created in 1959 by Ruth Handler, an American businesswoman. Chesnot/Getty Images[8] In 1991, the author Susan Faludi even defined feminism by referencing Mattel’s famous product: It is the simply worded sign hoisted by a little girl in the 1970 Women’s Strike for Equality: I AM NOT A BARBIE DOLL. Barbie dolls have also been criticised by social scientists[9] for promoting a white, idealised body type that advanced a kind of compulsory heterosexuality and subservience. The call was for women to escape inferior lives[10] as “sex objects” and instead to pursue “real” lives and be recognised for their achievements. And yet some women even underwent plastic surgery to mimic the Barbie body. As the feminist writer Martine Delvaux saw it, “Barbie is the image of what happens to women, their invisible and silent murder.” Read more: Why the curvy new Barbie is good news for your little girl[11] Can dolls freighted with this much cultural baggage really honour inspiring women or serve as feminist role models? Or might it be better to view them as examples of what I term “designer feminism” – somewhere image and substance collide, but where valuing appearance ultimately underpins and contains achievement? The clothing of these dolls may symbolise real lives, but underneath there is still a plastic body. References^ become a Barbie doll (www.independent.co.uk)^ historical and contemporary heroines (slate.com)^ dolls were now pitched (www.boredpanda.com)^ Getty Images (www.gettyimages.com.au)^ Heroines in History: A Thousand Faces (www.routledge.com)^ Barbie at 60: instrument of female oppression or positive influence? (theconversation.com)^ Barbie doll that honors Ida B. Wells faces an uphill battle against anti-Blackness (theconversation.com)^ Chesnot/Getty Images (www.gettyimages.com.au)^ criticised by social scientists (btlbooks.com)^ escape inferior lives (www.morethanabody.org)^ Why the curvy new Barbie is good news for your little girl (theconversation.com)

Read more https://theconversation.com/jane-goodall-joins-barbies-inspiring-women-series-the-strange-evolution-of-an-iconic-doll-187839

Times Magazine

Headless CMS in Digital Twins and 3D Product Experiences

Image by freepik As the metaverse becomes more advanced and accessible, it's clear that multiple sectors will use digital twins and 3D product experiences to visualize, connect, and streamline efforts better. A digital twin is a virtual replica of ...

The Decline of Hyper-Casual: How Mid-Core Mobile Games Took Over in 2025

In recent years, the mobile gaming landscape has undergone a significant transformation, with mid-core mobile games emerging as the dominant force in app stores by 2025. This shift is underpinned by changing user habits and evolving monetization tr...

Understanding ITIL 4 and PRINCE2 Project Management Synergy

Key Highlights ITIL 4 focuses on IT service management, emphasising continual improvement and value creation through modern digital transformation approaches. PRINCE2 project management supports systematic planning and execution of projects wit...

What AI Adoption Means for the Future of Workplace Risk Management

Image by freepik As industrial operations become more complex and fast-paced, the risks faced by workers and employers alike continue to grow. Traditional safety models—reliant on manual oversight, reactive investigations, and standardised checklist...

From Beach Bops to Alpine Anthems: Your Sonos Survival Guide for a Long Weekend Escape

Alright, fellow adventurers and relaxation enthusiasts! So, you've packed your bags, charged your devices, and mentally prepared for that glorious King's Birthday long weekend. But hold on, are you really ready? Because a true long weekend warrior kn...

Effective Commercial Pest Control Solutions for a Safer Workplace

Keeping a workplace clean, safe, and free from pests is essential for maintaining productivity, protecting employee health, and upholding a company's reputation. Pests pose health risks, can cause structural damage, and can lead to serious legal an...

The Times Features

Tricia Paoluccio designer to the stars

The Case for Nuturing Creativity in the Classroom, and in our Lives I am an actress and an artist who has had the privilege of sharing my work across many countries, touring my ...

Duke of Dural to Get Rooftop Bar as New Owners Invest in Venue Upgrade

The Duke of Dural, in Sydney’s north-west, is set for a major uplift under new ownership, following its acquisition by hospitality group Good Beer Company this week. Led by resp...

Prefab’s Second Life: Why Australia’s Backyard Boom Needs a Circular Makeover

The humble granny flat is being reimagined not just as a fix for housing shortages, but as a cornerstone of circular, factory-built architecture. But are our systems ready to s...

Melbourne’s Burglary Boom: Break-Ins Surge Nearly 25%

Victorian homeowners are being warned to act now, as rising break-ins and falling arrest rates paint a worrying picture for suburban safety. Melbourne residents are facing an ...

Exploring the Curriculum at a Modern Junior School in Melbourne

Key Highlights The curriculum at junior schools emphasises whole-person development, catering to children’s physical, emotional, and intellectual needs. It ensures early year...

Distressed by all the bad news? Here’s how to stay informed but still look after yourself

If you’re feeling like the news is particularly bad at the moment, you’re not alone. But many of us can’t look away – and don’t want to. Engaging with news can help us make ...